Learning to see… Curves

Posted on Saturday 24 May 2008

One of the unexpected benefits I’ve found in photography has been the odd “seeing the world through a lens” affect. It can surface anywhere: driving down a suburban avenue in heavy traffic, I’ll notice the plantings beneath the (often stunted) trees in the median and mentally compose an angle to capture them; filling up my tank with gas, the pump will abruptly become a framed image; colors and shapes at the playground jump into poster-sized childrens’ room art.

It can be distracting and disconcerting, but generally it’s a fascinating by-product of looking through my camera’s lens so often.

I’ve recently been working to expand my “eye”, and to that end I’ve joined several photography groups that propose weekly (or monthly) subject themes. These groups sometimes simply allow people to post their results for general edification and discussion, while others are contests awarding nothing more than gratification that an image attempt met with success.

The latest of these, for me, was “Curves”.

Red curl

Just curves — not a specific noun or color — and I discovered a blind spot in my mind’s internal lens. Turns out that curves are very hard for me to see, and I spent the entire week trying to foster that vision.

Curves and Patterns II

I did, ultimately, manage the mental calisthenics, and now am able to add curves — and other shapes — to the composition process.

Curves

So — it’s a long weekend!  Go shoot some curves. Just curves. If you’re like me, you’ll find it worthwhile, and highly rewarding.

Concentric

And if you come up with some cool shots, or just would like some feedback, feel free to give a link in the comments!

2 Comments for 'Learning to see… Curves'

  1.  
    May 24, 2008 | 10:57 am
     

    Very nice. Just curious, how do you make the borders in your photos?

  2.  
    May 24, 2008 | 11:45 am
     

    Hi Ed —

    Since I’ve been asked that a number of times, it may be that I should do a post about it. The short version, though, is that I select an area, choose the inverse, and alter the lighting and/or saturation in the selection. I often outline the selection in a complimentary (or contrasting) color, as well — and then drop the selection down into the photo via a recessed frame.

    But that’s really a very general description. I do different things with different photos — and usually I do nothing at all.

    :>

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